The Sixty-Eight Rooms

(A Sixty-Eight Rooms Adventure: Book 1)

by
Marianne Malone

Random House, April 2011, 274 pp.
ISBN: 978-0-375-85710-2

Genre: Young Reader
Subgenres: Magic / Miniature Rooms
Reviewed: 12/5/2011

Reviewed by: Conan Tigard

Book Cover

Excerpt

Room E17 was entered through a small back hallway.

"Okay . . . I'm just gonna walk around the corner and look in," Ruthie said, projecting her tiny voice so Jack could hear her.

Once she was in this hallway, Jack couldn't see her and neither could people looking in from the front. (They couldn't see the lightbulb that loomed over Ruthie's head, illuminating the space either.) Viewers on the museum side could see only a small portion of this hallway through a doorway at the back of the room. The carved wooden door was left ajar. She leaned forward to have a look into the bedroom and immediately pulled back. She returned to Jack in the corridor. "Whoops. Someone was in the gallery!"

"Did they see you?"

"No, I'm sure they didn't. I'll count to ten and look again." She did and this time it was clear.

As soon as she was all the way into the room Ruthie knew she had made the right decision. She would remember this moment for her whole life, she was certain. The illusion felt complete and perfect; it seemed as though she had left Chicago, the Art institute and possibly even the twenty-first century.

When Ruthie was little, she had always loved fairy tales. Now that she no no longer believed in those stories, she wondered what living in the time of knights and kings and queens might have been like. And here she was standing in a room that looked exactly as she had imagined what world to look. For the first time in her life, Ruthie felt extraordinary.

E-17: French Bedroom, Late 16th CenturyIt was a relief to be inside a space that was her scale again, and her dizziness lifted. There was a big stained-glass window to her right and a carved stone fireplace to her left. The floor was made of different kinds of wood in squares that formed an elaborate geometric pattern. A beautifully carved stand held a half-finished needlepoint project in front of the window. A three-tiered candelabra with real candles hung from the nineteen-foot (or nineteen-inch) ceiling. The walls were covered with brown and gold wallpaper that had vines and birds all over it.

But the most impressive thing to Ruthie was the giant (to a five-inch-tall girl) canopy bed covered in silvery green silk. This was the same bed she had been enchanted by yesterday. She wanted more than anything to run and jump right into it but she stopped herself. Someone was coming--she could see them just before they saw her. She dashed back into the little hall and waited. Fortunately, she could hear the muffled voices of the people through the glass. "Ohh! Look at this one!" "This is my favorite!" the voices exclaimed.

Finally there was a break in the crowd. Ruthie entered the room again. She walked over to the bed and ran her hand over the silk bedspread, pushing her fingers into it a bit. It was soft as a real feather bed. She has to remind herself that it was real, only miniature.

She couldn't resist. First she sat on the edge of the bed. It was blissfully soft. Then she picked her feet up, not letting the dirty soles of her shoes touch the beautiful silk. Then she put her head down on the pillow. Her gaze caught the tall canopy over her head and the beamed and painted ceiling beyond. Why don't people still live like this? she wondered.

 

Synopsis

Ruthie Stewart and Jack Tucker are best friends, in the sixth grade, and attend a private school named Oakton, in Chicago. Their teacher, Ms. Biddle, is taking her class on a field trip to the Art Institute of Chicago. When the teacher finds the class to have behaved appropriately, she announces that they will be visiting the Thorne Rooms, which are miniature rooms that look very realistic. The class becomes very excited.

Ruthie is instantly transfixed by the beautifully decorated rooms. Jack's mom, who was acting as a chaperone for the field trip, introduced Jack to Mr. Edmund Bell, a guard at the Art Institute. Mr. Bell used to be a photographer, but when his portfolio disappeared many years ago, containing all of his best work, he stopped taking photographs and began working as a guard at the museum. Mr. Bell shows Jack and Ruthie the corridor behind the Thorne Rooms, where Jack finds a mysteriously old -looking key on the floor. He stuffs it in his pocket before anyone can take it away from him.

Jack shows Ruthie the key while riding on the bus back to school. It is very ornate and has the initials C and M on it. They decided to visit the museum again the next day, Saturday, to visit the Thorne Rooms again and try to figure out what the key is for.

The next day, at the Art Institute, they search around the room that the Thorne Rooms are displayed in and cannot find a keyhole for the key. Using Jack's library card to slide between the corridor door and the door jam, he jimmied the door open and both he and Ruthie sneak into the corridor behind the Thorne Rooms. When Jack hands Ruthie the key to look at it, Ruthie, and her clothes, shrink down to five-inches tall. After the shock wears off, Jack lifts Ruthie up and places her on the shelf that runs around the room so Ruthie can enter E-17, her favorite room. Since people are out in the main room looking into the Throne Rooms through the glass, Ruthie finds it difficult to spend much time in the different Thorne Rooms. They decide to return at night and spend the night exploring the different miniature rooms without the interference from patrons.

That night, Ruthie begins exploring some of the other rooms, but finds things in the rooms that don't belong there. They also discover that if Jack hold Ruthie's hands when she takes the key, they both shrink. While visiting a room, they learn that they can exit the room through a door and step back in history. They meet Sophie Lacombe in Paris, a French girl a few years older than they are and they tell her about the upcoming French Revolution. Then they find themselves being hunted in early America by people thinking they are witches during the time of the Salem Witch Trials. They also discover that the past cannot enter the rooms, so when the arrows that were shot at they fly in through a window, the arrows disappear. They are safe in the Thorne Rooms.

They have many questions about the Thorne Rooms. How does the key work? How did the key become magical? Whose backpack is hidden in the wardrobe? Why was a miniature number two pencil left inside a desk? How come a small metal mug from another room was locked away in a dark cabinet? How come they can step back into history and interact with people? Do they change history by talking with people of interfering with historical events? They have a lot of questions and very few answers.

The Sixty-Eight Rooms is a fictional magical book written by Marianne Malone. This book is intended for readers ages 10 and up.

 

Review

The Sixty-Eight Rooms is a fun and magical adventure in the Throne Room at the Art Institute of Chicago and through different periods of history. As Ruthie and Jack explore the miniature rooms, they discover that they can step through the doors in the rooms that lead outside into the past. Back in time, they meet all sorts of people and find themselves in some sticky situations. They must use their smarts to outwit the people they meet and return safely to the Throne Rooms, which the people they meet cannot enter.

Young Readers will instantly bond with Jack and Ruthie as they explore the Thorne Rooms and find themselves getting into trouble. The main characters are well-written and I found myself wishing I had been shrunk down with them and could be part of the story. When Jack shows Thomas, a boy from Massachusetts in the 1690's, his flashlight, I just knew that the flashlight would be considered evil magic and they they would be hunted down as witches. Are you crazy, Thomas? Showing someone from the past a modern item that could be construed as being made by witchcraft when witches are being hunted down and burned at the stake. Crazy, just crazy . . .

Marianne Malone has created a wonderful story in her first published novel that can be enjoyed by readers of all ages. The Thorne Rooms are quite real and on display at the Art Institute in Chicago today. She does a terrific job of creating a magical story around real rooms that grabs hold of the reader and doesn't let them go until the last page is read.

If you think all of the questions that are posed are answered in this first novel, you will be sadly disappointed. Only a couple of the questions will be answered in this book. Hmmm, looks like I am going to have to read more Sixty-Eight Rooms Adventures books to find answers to the remaining questions. It will be my pleasure to do so.

Overall, The Sixty-Eight Rooms is a great first novel in a series by first-time published writer Marianne Malone. I highly recommend this book to any reader that has ever found themselves wanting to escape to someplace they can never go . . . into the past. Not just any past, but all different eras of the past. I cannot wait to find out what happens next in the second book in this series entitled Stealing Magic. Sounds very interesting.

I rated this book an 8½ out of 10.

This site was created and is maintained by Conan Tigard
2011